The road of lost innocence : The story of a Cambodian heroine

.1. The Forest My name is Somaly. At least that's the name I have now. Like everyone in Cambodia, I've had several. Names are the result of temporary choices. You change them the way you'd change lives. As a small child, I was called Ya, and sometimes just Non--"Little One." When I was taken away from the forest by the old man, I was called Aya, and once, at a border crossing, he told the guard my name was Viriya--I don't really know why. I got used to people calling me all sorts of names, mostly insults. Then, years later, a kind man who said he was my uncle gave me the name Somaly: "The Necklace of Flowers Lost in the Virgin Forest." I liked it; it seemed to fit the idea of who I felt I really was. When I finally had the choice, I decided to keep that name as my own. I will never know what my parents called me. But then I have nothing from them, no memories at all. My adoptive father once gave me this typically Khmer advice: "You shouldn't try to discover the past. You shouldn't hurt yourself." I suspect he knows what really happened, but he has never talked to me about it. The little I do know I've had to piece together with vague recollections and some help from history. I spent my earliest years in the rolling countryside of northeastern Cambodia, surrounded by savanna and forests, not far from the high plains of Vietnam. Even today, when I have the chance to go into the forest, I feel at home. I recognize smells. I recognize plants. I instinctively know what's good to eat and what's poisonous. I remember the waterfalls. The sound of them is still in my ears. We children would bathe naked under the cascading water and play at holding our breath. I remember the smell of the virgin forest. I have a buried memory of this place. The people of Bou Sra, the village where I was born, are Phnong. They are an old tribe of mountain people, quite unlike the Khmer who dominate the lowlands of Cambodia. I have inherited the typical Phnong dark skin from my mother. Cambodians see it as black and ugly. In Khmer, the word "Phnong" means "savage." Throughout Southeast Asia, people are very sensitive about skin color. The paler you are, the closer to "moon color," the more highly you are prized. A plump woman with white skin is the supreme object of beauty and desire. I was dark and thin and very unattractive. I was born sometime around 1970 or 1971, when the Troubles began in Cambodia. My parents left me with my maternal grandmother when I was still a small child. Perhaps they were seeking a better life, or perhaps they were forced to leave. Before I turned five, the country had been carpet-bombed by the Americans. Then it was seized by the murderous regime of Pol Pot's Khmer Rouge. The four years of Khmer Rouge rule, from 1975 to 1979, were responsible for the deaths of about one in five people in Cambodia through execution, starvation, or forced labor. In the storm of events, countless others were simply swept away from their villages and families without leaving a trace. People were displaced to work camps, where they toiled as slaves, or were forced to fight for the regime. There are many reasons why my parents might have left the forest. The story I like to tell myself is that my parents and grandmother always had my best interests at heart. Among the Phnong, the mother's lineage determines ethnicity. So despite my father being Khmer, when my parents left, my place was with the Phnong in Mondulkiri Province. Not long thereafter my grandmother would also disappear, much too soon for me to have any lasting memory of her. Mountain people up and leave for any old reason, as soon as anything displeases them. No one expected an explanation, especially not during those troubled years. So when my grandmother left the forest, no one knew where she went. I don't think I was abandoned--she probably thought I'd be safest in the village. There was no way she Excerpted from The Road of Lost Innocence: The true story of a Cambodian Heroine by Somaly Mam All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.